I like to describe my work as abstract art that plays with realistic elements while embracing non-representational styles.

In my work, fragments of the visible world emerge from fields of expressive color, gestural brushstrokes, or geometric disruption. Trying to anchor the viewer with a familiar texture or anatomical detail, only to dissolve surrounding forms into abstraction, creating tension between what is seen and what is felt.

Realistic passages act like visual footholds, while non-representational areas open into mood, rhythm, and movement. The result is a layered experience where the mind attempts to assemble a coherent scene, yet the painting resists full resolution, encouraging interpretation over identification.